Adam (Howard Keel), the eldest of seven brothers, goes to town to get a wife. He convinces Milly (Jane Powell) to marry him that same day. Music ensues. They return to his backwoods home. Only then does she discover he has six brothers -- all living in his cabin. Music ensues. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Dancing ensues. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness . . . kidnap the women they want! Hilarity ensues.
Trivia: The film was basically shot twice in two separate formats, the widescreen cinemascope format and the standard format. This was done so that the theaters that did not have cinemascope available could still see all of the movie. This required the action to be choreographed for both formats. Scenes for the widescreen version were shot in the morning and, for the normal ratio, in the afternoon. According to director Stanley Donen despite the fact that it cost more than the widescreen version to make, the other version was never used. MGM considered this a B movie - they had higher aspirations for the more expensive "Brigadoon". For this reason, they slashed the budget on "Seven Brothers", forcing Stanley Donen to use painted backdrops instead of location filming. The censors weren't too happy about the line in the song "Lonesome Polecat" where the brothers lament "A man can't sleep when he sleeps with sheep". By not showing any sheep in the same shot as the brothers, the film-makers were able to get away with it. Rehearsals for the barn-raising sequence took 3 weeks. For the brides costumes, designer Walter Plunkett went to the Salvation Army, found old quilts and turned them into dresses. Because there was no way of distinguishing between them and the Town Suitors, MGM decided to make all the Pontipee Brothers red-headed.
MGM was the studio of musicals in the 40s, 50s, and 60s. Only in a musical would a group of men be able to kidnap six girls and end up, well...I guess you will have to watch it. The dances were well done and very colorful, the barn dance sequence was fun to watch. Umm...what can I say, you pretty much know what to expect with an MGM musical.
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14 years ago
1 comment:
My overriding memory of this one was the "aryan paradise" sequence at the end. The spring song, with the lambs and peasant-maidens and all. Reminded me of Nazi propaganda...the barn dance was ace though.
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