First off you need to know what a grindhouse is. A grindhouse is an American term for a theater that mainly showed exploitation films, or is a term to describe the genre of films that played in such theatres (which are also known as "exploitation films"). Grindhouses were known for non-stop programs of B movies, usually consisting of a double feature where two films were shown back to back. Many of these inner city theatres formerly featured burlesque shows which featured "bump and grind" dancing, leading to the term "grindhouse." Beginning in the late 1960s and especially during the 1970s, the subject matter of exploitation films shown in these theaters often included explicit sex, violence, bizarre or perverse plot points, and other taboo content. In this case Robert Rodriguez and Quentin Tarantino are trying to recreate the feel of a grindhouse by releasing a B movie style double feature. So, since they made two movies, I will treat them as two movies. So first up:


There are four fake trailers included in Grindhouse, two before Planet Terror and two before Death Proof. These are full on movie trailers of exploitation movies that would fit the period. Machete, contributed by Robert Rodriguez, is a Mexican exploitation movie styled like Charles Bronson or like Jean Claude Van Damme movies. Thanksgiving, contributed by Eli Roth, is a slasher film centered around the November holiday in Massachusetts. Werewolf Women Of The SS, contributed by Rob Zombie, is about Nazis and, um, well, the title is pretty self explanatory. And Don't, contributed by Shaun Of The Dead director Edgar Wright. It is described as a 1970's britsploitation meets mondo trailer. A mondo film is a documentary film, sometimes resembling a pseudo-documentary, usually depicting sensational topics and scenes.
Trivia: Several actors from Planet Terror make appearances in Death Proof, including Rose McGowan, Quentin Tarantino, Michael Parks, Electra and Elise Avellan, and Marley Shelton. The "Skull & Lightning Bolts" logo used on the car in the film's Death Proof poster is inspired by the "Skull & Chopsticks" logo used in the international kung fu comedy tv and dvd series known as Kung Faux. Both directors 'aged' the films, adding scratches, dirt, and dust, to simulate the feel of the real Grindhouse films. Robert Rodriguez specifically wrote the part of Dakota for Marley Shelton after working with her on Sin City (2005). The "missing reels" in the Grindhouse films were an original William Castle-style idea cooked up by Quentin Tarantino and Robert Rodriguez. Tarantino owns a print of the Oliver Reed film The Sell-Out (1976) which when he bought it was missing a reel (containing a major plot point). After watching the film in this way, Tarantino found the scenes that he didn't see created an interesting mystery which made him try to figure out what went down in those scenes. Contrary to rumors, in the Grindhouse era, frames would often be missing from films but not entire 20-30 minute reels. This was not a staple of Grindhouse cinema.
Hmm...interesting films, and both are set in Texas. Planet Terror was definitely more gory, but then again, it was a zombie film. You should expect a little gore. The movie had a very good sense of humor to it, which is good because otherwise, well, I mean, come on, it's a zombie film. Death Proof ends with an awesome car chase between a black Dodge Nova and a white Dodge Charger using real cars (because that was the way Tarantino wanted it). It was also pretty fun to see some of the cross over characters. Some of the characters from Planet Terror show up as the same character in Death Proof (like Dr. Dakota Block and a sheriff) but some of the characters also showed up in the Thanksgiving trailer. So all in all a pretty good time was had in this truly unique double feature.
3 comments:
The stylistic idea of revisiting the grindhouse genre appeals to me, the serial killer/zombie horror puts me off. I'm just trying to balance the one against the other before deciding to see it or not (quite aside from the fact our only cinema isn't showing it, and I'd have to lie my way in anyway). So, a question: how scary is it? I can handle a fair amount of plain gore, but I'm pretty easily creeped out. What do you think?
Actually it is not very scary at all. If you have been reading my blog for a while you know I hate horror and I hate to be scared but I didn't jump at all. As for the serial killer aspect, Tarantino went more for the performances of the women. You really get to know them, and Stuntman Mike is just a stalker type that is on the periphery of the story.
I say see it (if you can bluff your way in)
Well therein lies the problem - I couldn't bring myself to answer "yes" to the are-you-18 question. Which 'tis a pity, because it's a film which _should_ be seen at the cinema.
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